Stories

The Route to Paradise Point


1. The Inspiration

Paradise Point was birthed from the single-weight Pleasure Point font I designed for Comicraft back in 2014. This was another font (like Hyperspace Race) that I imagined making more fun and extensive, with wides and bolds and extra features and such. And now it’s finally here!

My first step was stretching and pulling the very tall, condensed Pleasure Point into a wide version:

pleasure point stretched

A neat thing about Glyphs is once I’ve create the two extremes of a letter (such as narrow and wide), if the points correspond, Glyphs will calculate the in-between versions. Here I created the tall and wide S’s, and it generated the center one.

S widths

Of course, it’s not always that easy! But more on that later…


2. Tiki Time

Since these letters had kind of an island vibe, I started playing around with interlocking letter combos, Enchanted-Tiki-Tiki-Tiki-Room style!

tiki room sign
tiki letters

The tall, thin weights looked great, but the heavy & wide version presented problems…

ER

How do I remove the leg of the R without it looking like some strange, non-R letter? The Tiki gods were clearly unhappy. To appease them, I ate Dole Whip while watching old Brady Bunch episodes. The whip was good. The show, oof… not so much. (Still love those letters, though!)

Brady Bunch title

Eventually I realized that the versions with lowercase a and e were more fun and playful, so I deleted the uppercase and went with these:

in progress #4

3. Making it Move

Now back to Variable fonts — this is a relatively new technology that allows you (or rather, me) to create the extremes of a letter (on an “axis” such as width, weight, italic, etc), and then you (yes, you this time) can use any increment between!

Some letters work fine right away, but others have weird interpolation problems, like these twisted and distorted Fs:

distorted F

Or this Q. Though the effect is kind of cool…. maybe at some point I’ll find a use for it.

weird Q

One of the final tests is to make sure the heavy and inline weights overlapped exactly right for creating layered color effects.

I like to set one to cyan, the other to magenta, and both to “Multiply” so the colors combine like layers of ink on a woodblock print.

Once again, even the slightest miscalculation will cause everything to go completely haywire:

overlapping error

Though again the accidents can also be really cool, like this combo of XTall (pink) over XWide Inline (blue):

overlapping coolness

After repeating this process another, oh… 24 times, and programming the 100+ interlocking letter substitutions, all that remained was to choose a name. What’s better than Pleasure Point… Paradise Point!

That part, at least, was easy.


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